After this portion of the battle, you'll reach the final chamber. In this form, you can attack the monster by using the same coloured beam as the veins on its body (or Super Missile combos).
You'll need to avoid beam attacks, missiles and projectiles (which can often be destroyed with a charged shot) and its ramming attack (by using the Morph Ball). During the battle, you'll need to fight its arachnid form through four subchambers.
See /privacy for privacy and opt-out information.Metroid Prime is the final boss of the game, and to reach it, you'll need to make your way through Fission Metroids and Red Phazon.
#Metroid prime bosses how to
He is now creating his own comic book and creating a kickstarter, visit the website to support.Ġ1:10 - Differences Between Animating And Drawing/Team CollaborationĠ2:44 - Getting All The Animators To Establish The Same Style For A GameĠ4:01 - Animators Comraderie/Animators Work Structure On Metroid Prime 2/3Ġ6:05 - Metroid Prime 2 Animators Were Never Under Huge Pressure/Prime 2 CutscenesĠ7:01 - Carlos First Bit Of Work Was The Space PiratesĠ7:50 - Carlos Loved The Original Metroid PrimeĠ8:32 - Complexity Of Prime 3 Cutscenes Compared To Prime 2Ġ9:47 - How The Structure Of The Cutscenes Were For Prime 2 And Prime 3ġ2:24 - Carlos Was Told Prime 3 Wouldn’t Have As Many Cutscenes As Prime 2 Initially/Sammy Hallġ3:37 - Adjusting Animation Style From Metroid To Donkey Kongġ5:30 - SD To HD Doesn’t Change Animating Much/New Skeletons Were Created Between DKCR & DKCTFġ6:37 - Donkey Kongs Fur Was Handled By Engineers Not Animatorsġ7:09 - Animating The Bosses Of Both Donkey Kong Games/Owl Bossġ8:15 - Cutscenes For Donkey Kong Vs Metroid Prime/Facial AnimationĢ0:46 - Duration Of Making One Cutscene In Donkey KongĢ1:45 - Having A Plan Before Animating Is CriticalĢ4:01 - Acting Out To Get Animation References Right/Keyframe MPĢ6:30 - Carlos Animated Himself For The Walrus Butt Hit Reaction In Tropical FreezeĢ7:30 - Samus Was Animated As A Badass Where As Donkey Kong Animation Was ExaggeratedĢ8:38 - Carlos Animated The Samus Thumbs Up In Prime 3 And It Was A Big Cutscene To Animateģ0:46 - Retro Studios Animation Team Continued To Get Better/Carlos Went To Artschool With A Lot Of Retro Animatorsģ1:40 - How Carlos Ended Up At Retro Studios/Being Excited To Work On Metroidģ3:37 - Working On Metroid Prime 2 & 3 Wasn’t Stressful Due To The Teamģ4:58 - Crunch For Prime 2 Was 3 Months And Was Only Cutscenes/Polish At The End Of Prime 2 Developmentģ6:25 - Metroid Prime Franchise Is The Only Franchise Where Cutscenes Were Done At The Endģ7:30 - Story Was Changed Part Way Through Prime 3 Which Made A Ghor Cutscene Changeģ8:30 - How A Small Tweak Can Dramatically Change ProductionĤ0:30 - Nintendo Gets QA Testers On A Game From Early DevelopmentĤ2:23 - Carlos Loved Working At Retro Studios/Ĥ3:54 - Most Of The Metroid Prime 2/3 Animation Team Is Still At RetroĤ4:40 - Why Carlos Left Retro Studios & Moved To New OrleansĤ7:43 - Carlos Shows Off Artwork For His Comic/Idea Of The ComicĤ8:52 - It Takes 8-12 Hours To Do One DrawingĤ9:38 - Carlos’ Thinks Metroid Dreads Cutscenes Are Awesomeĥ0:35 - Carlos’ Loves The Animation Of Cupped/ĥ2:00 - Carlos Theorises How They Animated Cupheadĥ2:45 - Environments On Metroid & DK Were Handkeyedĥ3:50 - Destructive Terrain Of Tropical Freeze/Frantic Fields Trees Were Animated 3 Timesĥ5:20 - Carlos Favourite Cutscenes He Worked Onĥ7:10 - Carlos Didn’t Leave His House For 9 Months During The Pandemicĥ9:04 - Animation Tools Transferred From Metroid Prime To DK.ġ:00:30 - It Took Carlos A While To Learn How To Use Unreal Engineġ:01:20 - Where To Follow Carlos And Support His Comicġ:02:25 - Supply Chain Issues For His Comic He is most well known for his tenure at Retro Studios where he worked on Metroid Prime 2 & 3 as well as Donkey Kong Country Returns and Tropical Freeze. Carlos Mendieta is an animator in the video game industry.
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